Recently in Poetry Category

Poetry Friday: Barter

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Life has loveliness to sell,
All beautiful and splendid things,
Blue waves whitened on a cliff,
Soaring fire that sways and sings,
And children's faces looking up
Holding wonder like a cup.

Life has loveliness to sell,
Music like a curve of gold,
Scent of pine trees in the rain,
Eyes that love you, arms that hold,
And for your spirit's still delight,
Holy thoughts that star the night.

Spend all you have for loveliness,
Buy it and never count the cost;
For one white singing hour of peace
Count many a year of strife well lost,
And for a breath of ecstasy
Give all you have been, or could be.

~Sara Teasdale

Happy 2011!

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forauldlangsyne.jpg

Should auld acquaintance be forgot, 
And never brought to mind? 
Should auld acquaintance be forgot, 
And auld lang syne? 

Chorus.-For auld lang syne, my dear, 
For auld lang syne. 
We'll take a cup o' kindness yet, 
For auld lang syne.
 

 

I hope you all have a wonderful New Year! God bless you!

The William Carlos Knockoff

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I hope the poet of succinct apologies will forgive: 

 

This is just to say -

Love means never sharing Strep -

Cough, Groan, Sneeze, Sniff, Moan

 

I think I might have actually improved upon the original, what with my homage to "Love Story" and inclusion of alliteration and onomatopoeia and all that. Please pay no attention to William Carlos Williams rolling in his grave.

I suspect this is just the sort of missive a pencil-pusher at the CDC sends to his loved ones. The royalties from Hallmark should come pouring in soon.

'Til then, I'm pushing pills and passing out tissues - as we all have Strep Throat.

Idylls of the King Exam Question

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We are having exams this week and I wanted to share part of D's exam from yesterday. I thought other homeschooling mothers might enjoy it. We read "Idylls of the King" by Alfred, Lord Tennyson for poetry this term. It's Authurian stories told in verse. Very fun stuff, but I kept my dictionary close as I read. The two poems about Geraint were my favorite. Anyway, D's exam question was to write a spontaneous poem based on a tale from the book. Here is the result:

 

And Arthur lay upon the field

Sore wounded, no more his sword could wield.

Modred too lay on the field, slain,

A fruitless bid the throne to gain.

The Knights that filled the table round

Are passed now unto the ground

Save one, Sir Bedivere, who carries his lord anon

To the borders of Avalon.

The dying King gives one last command

To throw Excalibur in the lake, to the white hand

And Bedivere stood long and hid the sword

Saying, such a blade should not be given to the lake as ward.

He returns to his King and tells

The sword now at the bottom dwells.

Arthur knew of the betrayal and told the Knight

To go back once more and do it right.

A second time Bedivere's greed

Betakes him and his king's wise word he did not heed.

He hides the sword once more

And lies to the king dying on the floor

And Arthur reproached him rightly

For behavior less than Knightly.

Bedivere throws the sword unto the lake

And a white hand the sword did take.

And Arthur was borne to Avalon

As the New Year dawned.


Of Irishmen and White Horses

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As we study the Medieval Age this term, D is reading and discussing with me Thomas Cahill's "How the Irish Saved Civilization". Yesterday, she came upon a very interesting quotation from mystery and fantasy author and Christian apologist G. K. Chesterton:

For the great Gaels of Ireland
Are the men that God made mad,

For all their wars are merry,
And all their songs are sad.

Isn't that so accurate? I have yet to meet an Irishman who didn't love a good fight, a melancholy song,..and a strong drink. I think many would agree with Chesterton.

The quotation comes from Chesterton's "The Ballad of the White Horse," a narrative poem published in 1911 about King Alfred the Great's defeat of the Danes in England.

Chesterton explains the ballad in his Prefatory Note:

This ballad needs no historical notes, for the simple reason that it does not profess to be historical. All of it that is not frankly fictitious, as in any prose romance about the past, is meant to emphasize tradition rather than history. King Alfred is not a legend in the sense that King Arthur may be a legend; that is, in the sense that he may possibly be a lie. But King Alfred is a legend in this broader and more human sense, that the legends are the most important things about him.

The cult of Alfred was a popular cult, from the darkness of the ninth century to the deepening twilight of the twentieth. It is wholly as a popular legend that I deal with him here. I write as one ignorant of everything, except that I have found the legend of a King of Wessex still alive in the land. I will give three curt cases of what I mean. A tradition connects the ultimate victory of Alfred with the valley in Berkshire called the Vale of the White Horse. I have seen doubts of the tradition, which may be valid doubts. I do not know when or where the story started; it is enough that it started somewhere and ended with me; for I only seek to write upon a hearsay, as the old balladists did. For the second case, there is a popular tale that Alfred played the harp and sang in the Danish camp; I select it because it is a popular tale, at whatever time it arose. For the third case, there is a popular tale that Alfred came in contact with a woman and cakes; I select it because it is a popular tale, because it is a vulgar one. It has been disputed by grave historians, who were, I think, a little too grave to be good judges of it. The two chief charges against the story are that it was first recorded long after Alfred¹s death, and that (as Mr. Oman urges) Alfred never really wandered all alone without any thanes or soldiers. Both these objections might possibly be met. It has taken us nearly as long to learn the whole truth about Byron, and perhaps longer to learn the whole truth about Pepys, than elapsed between Alfred and the first writing of such tales. And as for the other objection, do the historians really think that Alfred after Wilton, or Napoleon after Leipsic, never walked about in a wood by himself for the matter of an hour or two? Ten minutes might be made sufficient for the essence of the story. But I am not concerned to prove the truth of these popular traditions. It is enough for me to maintain two things: that they are popular traditions; and that without these popular traditions we should have bothered about Alfred about as much as we bother about Eadwig.

One other consideration needs a note. Alfred has come down to us in the best way (that is, by national legends) solely for the same reason as Arthur and Roland and the other giants of that darkness, because he fought for the Christian civilization against the heathen nihilism. But since this work was really done by generation after generation, by the Romans before they withdrew, and by the Britons while they remained, I have summarised this first crusade in a triple symbol, and given to a fictitious Roman, Celt, and Saxon, a part in the glory of Ethandune. I fancy that in fact Alfred¹s Wessex was of very mixed bloods; but in any case, it is the chief value of legend to mix up the centuries while preserving the sentiment; to see all ages in a sort of splendid foreshortening. That is the use of tradition: it telescopes history.

G.K.C.

You can read the entire ballad online. You can view the actual White Horse in Uffington, England.

The White Horse

An aerial view of the 374 foot White Horse. 

It is an amazing Bronze Age landmark that was, sadly, unbeknownst to me.

Just another discovery made on a homeschooling rabbit trail. 

Afire With God

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Earth's crammed with heaven,
And every common bush afire with God:
But only he who sees, takes off his shoes,
The rest sit round it, and pluck blackberries...

Elizabeth Barrett Browning, Aurora Leigh - Book VII

 

I can't say that Elizabeth Barrett Browning is a hero of mine, but long before my own body fell to ruin I admired her ability to learn, live, and grow despite illness and pain. The quotation above, taken from her nine book blank verse novel, is certainly a gem of truth.

Even a common blackberry bush is as full of God as Moses' burning bush. Some recognize this and honor the Lord; others can see nothing beyond a bush of blackberries.

I find it difficult to understand atheists. How can anyone observe the natural world and not acknowledge the Creator? Every living thing around us is born from the breath of God and possesses a touch of His majesty.

The whole world is afire with God. Let us behold His works and stand on holy ground.

Let Evening Come

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Bedroom curtain

Let Evening Come

by Jane Kenyon

Let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down.

Let the cricket take up chafing
as a woman takes up her needles
and her yarn. Let evening come.

Let dew collect on the hoe abandoned
in long grass. Let the stars appear
and the moon disclose her silver horn.

Let the fox go back to its sandy den.
Let the wind die down. Let the shed
go black inside. Let evening come.

To the bottle in the ditch, to the scoop
in the oats, to air in the lung
let evening come.

Let it come, as it will, and don't
be afraid. God does not leave us
comfortless, so let evening come.



Thanks to Karen Edmisten for pointing me to this poem.

Photo of our bedroom curtains.

Two Gems from Yeats

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I love many of Yeats' poems, but these are two of my favorites:

The Lake Isle of Innisfree

I will arise and go now, and go to Innisfree,
And a small cabin build there, of clay and wattles made:
Nine bean-rows will I have there, a hive for the honey-bee,
And live alone in the bee-loud glade.

And I shall have some peace there, for peace comes dropping slow,
Dropping from the veils of the mourning to where the cricket sings;
There midnight's all a glimmer, and noon a purple glow,
And evening full of the linnet's wings.

I will arise and go now, for always night and day
I hear lake water lapping with low sounds by the shore;
While I stand on the roadway, or on the pavements grey,
I hear it in the deep heart's core.

The Song of Wandering Aengus

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.
 
When I had laid it on the floor
I went to blow the fire a-flame,
But something rustled on the floor,
And someone called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done,
The silver apples of the moon,
The golden apples of the sun.

A Prayer for My Daughter by Yeats

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Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory's wood and one bare hill
Whereby the haystack- and roof-levelling wind,
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour
And heard the sea-wind scream upon the tower,
And under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come,
Dancing to a frenzied drum,
Out of the murderous innocence of the sea.

May she be granted beauty and yet not
Beauty to make a stranger's eye distraught,
Or hers before a looking-glass, for such,
Being made beautiful overmuch,
Consider beauty a sufficient end,
Lose natural kindness and maybe
The heart-revealing intimacy
That chooses right, and never find a friend.

Helen being chosen found life flat and dull
And later had much trouble from a fool,
While that great Queen, that rose out of the spray,
Being fatherless could have her way
Yet chose a bandy-leggèd smith for man.
It's certain that fine women eat
A crazy salad with their meat
Whereby the Horn of Plenty is undone.

In courtesy I'd have her chiefly learned;
Hearts are not had as a gift but hearts are earned
By those that are not entirely beautiful;
Yet many, that have played the fool
For beauty's very self, has charm made wise,
And many a poor man that has roved,
Loved and thought himself beloved,
From a glad kindness cannot take his eyes.

May she become a flourishing hidden tree
That all her thoughts may like the linnet be,
And have no business but dispensing round
Their magnanimities of sound,
Nor but in merriment begin a chase,
Nor but in merriment a quarrel.
O may she live like some green laurel
Rooted in one dear perpetual place.

My mind, because the minds that I have loved,
The sort of beauty that I have approved,
Prosper but little, has dried up of late,
Yet knows that to be choked with hate
May well be of all evil chances chief.
If there's no hatred in a mind
Assault and battery of the wind
Can never tear the linnet from the leaf.

An intellectual hatred is the worst,
So let her think opinions are accursed.
Have I not seen the loveliest woman born
Out of the mouth of Plenty's horn,
Because of her opinionated mind
Barter that horn and every good
By quiet natures understood
For an old bellows full of angry wind?

Considering that, all hatred driven hence,
The soul recovers radical innocence
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,
And that its own sweet will is Heaven's will;
She can, though every face should scowl
And every windy quarter howl
Or every bellows burst, be happy still.

And may her bridegroom bring her to a house
Where all's accustomed, ceremonious;
For arrogance and hatred are the wares
Peddled in the thoroughfares.
How but in custom and in ceremony
Are innocence and beauty born?
Ceremony's a name for the rich horn,
And custom for the spreading laurel tree.



"So let her think opinions are accursed."

Much as I love his lyrical lines,
Glad I am I'm not Yeats' daughter.



The Cloud

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Impressionism Clouds 7

The Cloud by Percy Bysshe Shelley

I bring fresh showers for the thirsting flowers,
From the seas and the streams;
I bear light shade for the leaves when laid
In their noonday dreams.
From my wings are shaken the dews that waken
The sweet buds every one,
When rocked to rest on their mother's breast,
As she dances about the sun.
I wield the flail of the lashing hail,
And whiten the green plains under,
And then again I dissolve it in rain,
And laugh as I pass in thunder.

I sift the snow on the mountains below,
And their great pines groan aghast;
And all the night 'tis my pillow white,
While I sleep in the arms of the blast.
Sublime on the towers of my skiey bowers,
Lightning, my pilot, sits;
In a cavern under is fettered the thunder,
It struggles and howls at fits;

Over earth and ocean, with gentle motion,
This pilot is guiding me,
Lured by the love of the genii that move
In the depths of the purple sea;
Over the rills, and the crags, and the hills,
Over the lakes and the plains,
Wherever he dream, under mountain or stream,
The Spirit he loves remains;
And I all the while bask in Heaven's blue smile,
Whilst he is dissolving in rains.

The sanguine Sunrise, with his meteor eyes,
And his burning plumes outspread,
Leaps on the back of my sailing rack,
When the morning star shines dead;
As on the jag of a mountain crag,
Which an earthquake rocks and swings,
An eagle alit one moment may sit
In the light of its golden wings.
And when Sunset may breathe, from the lit sea beneath,
Its ardors of rest and of love,

And the crimson pall of eve may fall
From the depth of Heaven above,
With wings folded I rest, on mine aery nest,
As still as a brooding dove.
That orbed maiden with white fire laden,
Whom mortals call the Moon,
Glides glimmering o'er my fleece-like floor,
By the midnight breezes strewn;
And wherever the beat of her unseen feet,
Which only the angels hear,
May have broken the woof of my tent's thin roof,
The stars peep behind her and peer;
And I laugh to see them whirl and flee,
Like a swarm of golden bees,
When I widen the rent in my wind-built tent,
Till the calm rivers, lakes, and seas,
Like strips of the sky fallen through me on high,
Are each paved with the moon and these.

I bind the Sun's throne with a burning zone,
And the Moon's with a girdle of pearl;
The volcanoes are dim, and the stars reel and swim
When the whirlwinds my banner unfurl.
From cape to cape, with a bridge-like shape,
Over a torrent sea,
Sunbeam-proof, I hang like a roof,--
The mountains its columns be.
The triumphal arch through which I march
With hurricane, fire, and snow,
When the Powers of the air are chained to my chair,
Is the million-colored bow;
The sphere-fire above its soft colors wove,
While the moist Earth was laughing below.

I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores of the ocean and shores;
I change, but I cannot die.
For after the rain when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams with their convex gleams
Build up the blue dome of air,
I silently laugh at my own cenotaph,
And out of the caverns of rain,
Like a child from the womb, like a ghost from the tomb,
I arise and unbuild it again.


More of today's clouds at Flickr.

About this Archive

This page is a archive of recent entries in the Poetry category.

Planning is the previous category.

Quizes is the next category.

Mrs. Happy Housewife

About Mrs. Happy Housewife

Married to my high school sweetheart. Mother of two. A housewife.

I'm full of opinions and curiosity. I'm not an expert, but on a quest of self-improvement.

Welcome to my life.

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